
Graduate Members' Profiles
Name: Miriam Haughton
Research Profile: Miriam recently submitted her interdisciplinary thesis 'Power and Punishment: Stories from Postmodern Ireland' to the School of English Drama and Film at University College Dublin. Supervised by Dr Cathy Leeney, Miriam's work considers the relationship between power and punishment in contemporary representations of Irishness, particularly in theatre, film and cultural performance. Miriam's work has been published in the international journals New Theatre Quarterly and Focus, and she has a forthcoming article in Mortality. In 2012, Miriam received a scholarship from the Keough-Naughton Institute of Irish Studies at Notre Dame University to participate in their Irish Seminar. Miriam lectures in Theatre Studies at UCD and NUI Galway, and reviews for Irish Theatre Magazine. Miriam supports the campaign group, Justice for Magdalenes, and hopes their struggle for an apology and redress will soon be acknowledged by the Irish State. Miriam will present papers at the forthcoming ISTR conference at NUIG and 'The Future State of Ireland' conference at Goldsmiths, London.
Research Interests: Irish Theatre, Irish Studies, Women's Studies, World Theatre, Multiculturalism
Links: Humanities Institute of Ireland: http://www.ucd.ie/hii/people/graduateresearchers/miriamhaughton/
LinkedIn: http://ie.linkedin.com/pub/miriam-haughton/57/205/681
Academia.edu: http://ucd-ie.academia.edu/MiriamHaughton
E-mail: Miriam can be contacted at: miriamhaughton@hotmail.com
Name: Monica Insinga
Research Profile: Monica is in her final year of
Ph.D. at University College Dublin under the Graduate Research and Education
Programme in 'Gender, Culture and Identities' funded by the Irish Research
Council for the Humanities and Social Sciences. Her thesis is a critical
and comparative analysis of a number of works by the Italian playwright Luigi
Pirandello, Nobel Prize for Literature in 1934, and the internationally acclaimed
Irish dramatist Marina Carr in terms of alternative identities, spaces and fates in modernist, postmodernist drama as well as
theatre in vernacular. Monica presented at a
number of conferences of Irish studies, Theatre studies as well as Comparative
studies, including IASIL, ISTR and Pirandello Studies. She has co-organised two conferences, including 'The European
Avant-Garde, 1890-1930', funded by the Graduate School of Arts and Celtic
Studies, UCD, after which she co-edited a peer-reviewed collection of essays by
the title of The European Avant-Garde: Text and Image, published by CSP in 2012. In 2010 she published her first
peer-reviewed article for the Pirandello Studies
Journal. Also in 2010 Monica was Visiting Scholar in Boston College, where she
returned in 2011 as Guest Lecturer for the Department of Romance Languages.
Research Interests: Comparative Studies, Theatre Studies (Irish, Italian, European), Gender and Women's Studies, European Avant-Garde.
Links: UCD Research: http://www.ucd.ie/research/people/englishdramafilm/msmonicainsinga/
Humanities Institute of Ireland: http://www.ucd.ie/hii/people/graduateresearchers/monicainsinga/
LinkedIn: http://www.linkedin.com/profile/edit?trk=tab_pro
Academia.edu: http://ucd-ie.academia.edu/MonicaInsinga/About
E-mail: Monica can be contacted at monica.insinga@ucdconnect.ie
Name: Megan Minogue
Research Profile: Megan is a PhD student in the School of English at Queen's University Belfast. She was awarded an Irish Studies Initiative Postgraduate Research Studentship for her Masters in Irish Writing, earned at Queen's in 2010. Supervised by Dr. Paul Murphy and Dr. Eamonn Hughes, Megan's doctoral research focuses on the representations and constructions of Protestant and loyalist identities in the works of Belfast dramatists Stewart Parker, Christina Reid, and Gary Mitchell. Part of her research on loyalist masculinities is due to be published as a chapter in 'I Could Not Tell': The Representation of Memory & Trauma in Contemporary Northern Irish Culture, edited by Shane Alcobia-Murphy and Richard Kirkland, and an article on representations of Protestant and loyalist women will be published in the third issue of Studi irlandesi: A Journal of Irish Studies. She has also written up a summary and analysis of Stewart Parker's television play The Kamikaze Ground Staff Reunion Dinner, which will appear in the British Film Institute's online database and research resource, www.screenonline.org.uk. During her time as a doctoral student, Megan has also co-chaired two conferences at Queen's, "New Voices in Irish Criticism: Legitimate Ireland" in 2012 and "Contemporary Gendered Performance and Practice", in April 2013. Both conferences received substantial funding from the Student Led Initiative and Queen's Annual Fund, with "New Voices also receiving funding from the School of English Internationalisation Fund.
Keywords: Gender Studies, Loyalism, Northern Irish Theatre, Television & Media
Websites: LinkedIn: http://www.linkedin.com/profile/view?id=88445738&trk=hb_tab_pro_top
Academia.edu: http://qub.academia.edu/MeganMinogue
School of English, Queen's: http://www.qub.ac.uk/schools/SchoolofEnglish/Research/DoctoralResearch/
Conference Blog: http://performinggender2013.wordpress.com/
Email: mminogue02@qub.ac.uk
Name: Caitriona Mary
Reilly
Keywords: Contemporary Irish Theatre and Performance; Feminism/Postfeminism; Gender Studies
Links: Queen's Research: http://www.qub.ac.uk/schools/SchoolofCreativeArts/Drama/Research/PostgraduateResearchProfiles/CaitrionaReilly/
LinkedIn: http://uk.linkedin.com/pub/caitriona-mary-reilly/45/8a8/915
Conference Blog: http://performinggender2013.wordpress.com/
Email: creilly19@qub.ac.uk